via BBC AmericaWhat Winterbottom’s film seems to be examining among other things is the inevitable tensions between the creation of a youth culture which is dependent upon naivety combined with lashings of energy and enthusiasm and the workings of industry and business. Here, as we see, Factory Records and the Hacienda Club cannot sell out. There is quite literally nothing to sell, instead the idealism is eroded and eventually heavily compromised by the real forces of chaos and anarchy in society the ‘lumpen’ criminal classes.
There is no such thing as a utopian 24 Hour Party in which the workings of the system can somehow be ignored in some utopian space. The criminal classes eventually come to control the door and the massive drug fuelled scene in the Hacienda. The drug scene itself can be seen as a part of the reaction of young people to a ‘no future’ type’ of a culture in which the living is done for today not tomorrow.
Tuesday, December 19, 2006
Party People
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